04: One Line Logo

Time Limit: 30 minutes

Categories: Identity

Challenge: You’ve been asked to submit an identity design for the 2012 Olympic Games in London 2020 Olympic Games in Tokyo. The initial sketch your logo must be composed from a single, unbroken line. Once you’ve placed your pen or pencil down on the paper, you can’t take it off the page until the logo is complete. Don’t go back for corrections, embrace mistakes!

My take away: I updated this to a more current Olympic Games (2020 Tokyo). I played around with a few other ideas first, but ultimately wanted to do something simple, red, and circle based to reflect the Japanese flag. I ended up liking the idea of giving it the tapered feel of a single painted line, inspired by the ensō symbol, but instead of stopping at the circle, I chose to have it end in a loose mountain shape, representing Mount Fuji. I hadn’t planned on digitizing the logo, but decided to quickly do a sketch in illustrator to better get across the feeling I was going for. In doing some quick research at the start of this challenge, I personally found a lot of the Olympics logos a little too busy for my personal preference, and I was drawn to the logo designs that were more minimalist. I didn’t realize until after I had completed the challenge that all the instances of the Olympics in Japan mainly used a circle as it’s main design element. My personal fave is the Tokyo 1964 logo.

03: Time Machine

Time Limit: 90 minutes

Categories: Research, Print Advertising

Challenge: Select a print ad from before 1980, then redesign it in a contemporary style as a full-page colour magazine ad. Feel free to reinterpret the photography, illustration, copy and typography as necessary to match today’s design idiom.

My take away: I adjusted this to a 30 minute time limit, just because I wasn’t feeling very well. I selected a Holiday Coca-Cola ad from 1970 because I’ve always liked the simplicity of their ads and messaging. I took it from being a styled photo to a more minimalist illustrative one, but still capturing a subtle, non-specific holiday feeling.

02: Easy As ABC

Time Limit: 120 minutes

Categories: Illustration, Paper Engineering, Physical Prototyping, Photography, Type Design

Challenge: Design a typeface that will be composed from elements in the world around you. Assemble your twenty-six-character alphabet using only found objects or environments. Letters may be documented through collage, photography, photocopying, digital illustration, and other appropriate mediums. Avoid examples of computer typefaces out “in the wild,” documenting elements of existing writing or signage, or pulling into your typeface anything that might be considered a traditional letterform.

My take away: I decided to make my typeface in the negative, taking white rice on a black surface and letting the negative space form the letters and then photographing them. It came out more consistent than I was expecting once all put together. Messy way to make a typeface, but very satisfying to draw into the rice. Glad I went with rice instead of sugar though, that wouldn’t have been fun to clean up.

01: Hello, My Name Is

Time Limit: 30 minutes

Categories: Identity Development, Illustration

Challenge: Spend 10 minutes answering the following questions. “What are my three strengths as a designer? My weaknesses? What’s my favourite colour? What designers do I love? What design work do I enjoy? What kind of work do I want to do in the future?” Then design logo that is clearly informed by your off-the-cuff responses. Be sure to stick to the time limit provided - don’t cheat!


My take away: It has been a while since I’ve done any logo design! I spend so much time in Photoshop and inDesign, it was nice to sit down with this book and my sketchbook on the couch and tackle a small quick design project. I like that it gives me a time limit. I am not looking for perfect designs, just looking for a design activity that is not the same as what I’m doing every day at work. Follow along if you’d like! This is 01 of 80 design challenges in the Creative Workshop book, by David Sherwin.